This new film negative was 25.1mm x 16.7mm which is considerably smaller than a 35mm film. Which incidentally is why these days the most common crop-sensor size is called APS-C. The crop sensor also followed a previous film size which was created by Kodak in the 90s known as Advanced Photo System (APS). One of the biggest benefits of this was that many photographers who were shooting in film could simply swap to digital and still be able to use their lenses (some without even needing an adaptor). On DSLRs full-frame sensor is the same ratio as using a 35mm film (36 x 24mm), which made the switch to digital much easier for many photographers So basically, the full-frame sensor is the same ratio as using a 35mm film (36 x 24mm). When DSLRs were invented, this ratio of the traditional 35mm film was replicated as a digital sensor. This is still the case today with the 35mm film being the most widely used in analogue cameras. Back in the 1900s, the 35mm film became the standard for photographers as it struck a good balance between the cost of the film and the quality of the images it produced. But before we look at each and their respective pros and cons it’s important to understand their origins. A sensor that is known as “full-frame” and anything smaller than this sensor is referred to as a “crop sensor”. Cameras typically use two main types of sensors. These sensors are the heart of digital cameras and as such play an integral part in how a photo turns out when you press the shutter button.
FULL FRAME VS APS C VS MICRO 4 3 PRO
Pro photographers tend to opt for full-frame sensors while crop sensors are a goof affordable option to start with for beginners
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